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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1540,Magistrates Court,Oldham,A627,road sign,Ashton-under-Lyne,Tameside,bailiff,bailiffs,charge,charges
Description: Tony Smith image Alamy 3FBX5B8 -
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1551,Tameside Magistrates Court,Ashton-under-Lyne,court,magistrates,Greater Manchester,justice system,courthouse,HMCTS,law,criminal justice,public sector,court entrance,Tameside,legal,backlog,backlogs,back log,back logs,front,entrance,bailiff,bailiffs,charge,charges
Description: Tony Smith image Alamy 3FBX5EH - . A front-on exterior photograph of Tameside Magistrates' Court in Ashton-under-Lyne shows the glazed entrance and official building name of a local justice facility serving the surrounding Greater Manchester borough. Magistrates' courts are where most criminal proceedings in England and Wales begin, including first appearances for more serious offences that may later be sent to the Crown Court. Panels of lay magistrates or district judges also determine many summary offences, bail applications and other statutory matters. Because photography is heavily restricted inside court buildings, exterior images play an important role in news reporting and can establish location without intruding on participants in a case. The architectural language is intentionally institutional and accessible, combining a prominent entrance, signage and modern glazing with the security requirements expected of a courthouse. In the mid-2020s court services remain under pressure from case backlogs, staffing constraints and debate over the condition and rationalisation of the court estate. Local access is significant: closing or consolidating courts can increase travel time for defendants, witnesses, lawyers and families, particularly for people dependent on public transport. This image can support coverage of prosecutions, sentencing, criminal justice policy, magistrates, HMCTS, legal aid, court administration and public buildings in Tameside. It is also a useful record of Ashton-under-Lyne's civic landscape, where courts, council facilities, health services, retail and transport infrastructure sit within a compact town centre shaped by successive phases of redevelopment. The image also preserves period details of signage, materials, branding, street furniture and everyday use that may be altered by later refurbishment or redevelopment. As an editorial stock photograph it is suited to both immediate news context and longer-term comparative work, where researchers can examine how.
Tameside Magistrates' Court, Henry Square, Ashton-under-Lyne OL6, Greater Manchester, Engl
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1552,Tameside Magistrates Court,Ashton-under-Lyne,magistrates court,courthouse,Greater Manchester,justice,law,criminal court,HMCTS,court building,legal system,public building,architecture,Tameside,backlog,backlogs,back log,back logs,front,entrance,bailiff,bailiffs,charge,charges
Description: Tony Smith image Alamy 3FBX5GJ - . An angled exterior view of Tameside Magistrates' Court in Ashton-under-Lyne records the modern civic architecture of a local criminal and family justice building. Magistrates' courts form the first tier of the criminal court system in England and Wales, dealing with the great majority of criminal cases at their initial stage and hearing less serious offences to completion. They also handle matters such as warrants, bail, licensing and some family proceedings, making the courthouse an important but often overlooked piece of local public infrastructure. The building's formal entrance and institutional signage distinguish it from surrounding commercial property and symbolise the public administration of justice. Images of local courts are useful for editorial reporting because hearings frequently concern cases with no separate visual material, while the exterior provides a neutral establishing image without identifying defendants, witnesses or victims. The Ashton-under-Lyne setting also reflects the geography of court consolidation, with magistrates' services covering communities across Tameside rather than every town retaining its own courthouse. In the 2020s the justice system faces continuing debate over court backlogs, legal aid, prison capacity, remote hearings, estate maintenance and access to local services. The photograph can therefore illustrate criminal justice, magistrates, HM Courts & Tribunals Service, public-sector buildings, local government geography and the practical interface between citizens and the legal system. As a documentary image, it preserves the appearance, materials and signage of the court at a particular point in its operational life. As documentary imagery, the photograph supports a wider vocabulary of place, people, economy, infrastructure, design, public realm, heritage, travel, work and everyday life. It offers a natural visual reference for editorial features that need authentic context rather than a generic illustration.
Tameside Magistrates' Court, Henry Square, Ashton-under-Lyne OL6, Greater Manchester, Engl
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG,Droylsden,FC,football,club,Tameside,North,West,Counties,Premier,Division,non,league,soccer,matchday,Butchers,Arms,ground,grassroots,Manchester,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,architecture,streetscape
Description: Tony Smith image Alamy 3FCG43R - . Supporters arrive for a Saturday match at Droylsden Football Club, a historic non-league side in Tameside east of Manchester. In the 2026-27 season Droylsden are competing in the Premier Division of the North West Counties Football League, part of the English football pyramid below the fully professional national leagues. Clubs at this level depend heavily on volunteers, local sponsorship, gate receipts, bar income and loyal repeat support, making a modest turnstile or clubhouse entrance as important to the matchday economy as the pitch itself. Droylsden have experienced the financial volatility familiar in non-league football, including withdrawal from competition earlier in the decade before rebuilding their position. The image captures grassroots football rather than the polished Premier League product: fans walking in, local signage, a small ground and a direct connection between club and community. It is suitable for stories about lower-league sport, football finances, community clubs, weekend recreation and the depth of England's league pyramid. The scene preserves an everyday moment that may later help document redevelopment, rebranding, closure, refurbishment or continued survival. Relevant search and editorial concepts include football, soccer, matchday, supporters, stadium, non-league, Scottish football, English pyramid, club finance, local sponsorship, community sport, terraces. Useful descriptive vocabulary for archive discovery includes Droylsden, FC, football, club, Tameside, North, West, Counties, Premier, Division, non, league, soccer, matchday, Butchers, Arms, ground, grassroots, Manchester. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding, public space or surrounding land use changed after August 2026. The image may be useful to picture editors seeking authentic North West or British context for features on community life, economic change, heritage,
Droylsden FC, Butcher's Arms Ground, Droylsden, Tameside, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,horse,drawn,carriage,funeral,Droylsden,Tameside,director,hearse,minister,disbursements,costs,bereavement,traditional,service,Greater,Manchester,editorial,documentary,2026,British,Britain,Europe,travel,local,community,signage,architecture,streetscape,economy,horse-drawn,horse drawn,horses,for,funerals,death,cost,of,assisted dying
Description: Tony Smith image Alamy 3FCG44B - . A funeral-director window in Droylsden advertises a horse-drawn carriage funeral package, showing how traditional ceremonial options remain part of the modern funeral market. Horse-drawn hearses are associated with highly formal processions, often using teams of black or white horses, plumed harnesses and glass-sided carriages to create a visible public tribute. The displayed price includes items such as the hearse, minister and disbursements, making the image relevant to the practical cost of bereavement as well as ritual and tradition. Funeral pricing has attracted greater consumer attention as families compare packages and regulators encourage transparency in a market where decisions are often made quickly at a difficult emotional time. Droylsden, within Tameside east of Manchester, provides a recognisably urban North West setting. Editorial uses include funeral costs, undertakers, ceremonial transport, bereavement, changing funeral customs, consumer services and the continued demand for distinctive personalised send-offs. Used editorially, the frame can bridge specialist local-history research and broader contemporary reporting. Relevant search and editorial concepts include local history, documentary photography, current affairs, public realm, architecture, community, social change, economic context, regional identity, Britain, 2026. Useful descriptive vocabulary for archive discovery includes horse, drawn, carriage, funeral, Droylsden, Tameside, director, hearse, minister, disbursements, costs, bereavement, traditional, service, Greater, Manchester. The photograph is suitable for editorial, documentary, social-history, planning, business and local-news use where an identifiable real-world example is preferable to a generic illustration. It also provides a dated reference for future comparison, allowing researchers to see whether the premises, branding, public space or surrounding land use changed after August 2026.
Droylsden, Tameside, Greater Manchester, England, UK
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1445,Angel Hotel,Shaws Ales,hotel sign,glazed tiles,Ashton-under-Lyne,Tameside,Greater Manchester,historic pub,pub heritage,architectural detail,ceramic tiles,faience,brewery advertising,historic hotel,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary,North West,editorial
Description: Tony Smith image Alamy 3FCW49N - . Close detail of ANGEL HOTEL glazed-tile lettering on the former pub in Ashton-under-Lyne. The image isolates the ANGEL HOTEL name above turquoise patterned tiles, documenting the building's former function through a permanent architectural sign rather than a modern fascia. The former Angel Hotel in Ashton-under-Lyne retains an unusually rich glazed-tile exterior carrying historic Shaw's Ales branding. Such faience and tilework was designed to be both decorative and commercial, giving brewery-owned pubs a durable identity that survived repainting and changes of tenant. The building is a particularly useful piece of streetscape evidence because the historic hospitality use and brewery advertising remain legible even when the premises themselves change function. It connects local brewing history, architectural ceramics, pub heritage and contemporary questions about preserving distinctive town-centre fabric. The location is Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places.
Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1446,Shaws Ales,brewery lettering,glazed tiles,Angel Hotel,Ashton-under-Lyne,pub tiles,Tameside,Greater Manchester,beer advertising,architectural detail,historic pub,brewery heritage,faience,ceramic tiles,ale,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary,North West
Description: Tony Smith image Alamy 3FCW5BB - . Close detail of SHAW'S ALES lettering in historic glazed tiles on the former Angel Hotel. This tight crop isolates the bold cream letters against dark blue tilework, functioning almost like a surviving nineteenth- or early-twentieth-century brewery advertisement in situ. The former Angel Hotel in Ashton-under-Lyne retains an unusually rich glazed-tile exterior carrying historic Shaw's Ales stock-photo/gotonysmith-Branding.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>branding. Such faience and tilework was designed to be both decorative and commercial, giving brewery-owned pubs a durable identity that survived repainting and changes of tenant. The building is a particularly useful piece of streetscape evidence because the historic hospitality use and brewery advertising remain legible even when the premises themselves change function. It connects local brewing history, architectural ceramics, pub heritage and contemporary questions about preserving distinctive town-centre fabric. The location is Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. This makes the photograph a useful piece of contemporary editorial documentation.
Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1447,Shaws Ales,Angel Hotel,Ashton-under-Lyne,tiled pub,glazed tiles,brewery advertising,Tameside,Greater Manchester,historic hotel,pub heritage,architectural ceramics,corner building,beer history,Victorian pub,Edwardian pub,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary,North West
Description: Tony Smith image Alamy 3FCW5BG - . Corner view of Shaw's Ales tiled frontage on the former Angel Hotel in Ashton-under-Lyne. The corner angle reveals how the turquoise and green glazed tiles wrap around the building, with ANGEL HOTEL lettering integrated into the architectural scheme. The former Angel Hotel in Ashton-under-Lyne retains an unusually rich glazed-tile exterior carrying historic Shaw's Ales branding. Such faience and tilework was designed to be both decorative and commercial, giving brewery-owned pubs a durable identity that survived repainting and changes of tenant. The building is a particularly useful piece of streetscape evidence because the historic hospitality use and brewery advertising remain legible even when the premises themselves change function. It connects local brewing history, architectural ceramics, pub heritage and contemporary questions about preserving distinctive town-centre fabric. The location is Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage. There is also a strong sense of contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. This makes the photograph a useful piece of contemporary editorial documentation.
Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1448,Shaws Ales,Angel Hotel,former pub,Ashton-under-Lyne,brewery tiles,glazed tiles,Tameside,Greater Manchester,pub heritage,historic pub,beer advertising,architectural ceramics,tile facade,public house,brewing history,heritage building,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary
Description: Tony Smith image Alamy 3FCW5P6 - . Historic Shaw's Ales glazed-tile frontage on the former Angel Hotel, Ashton-under-Lyne. The ornate arched doorway and turquoise tiled façade carry large SHAW'S ALES lettering, making this one of the most visually complete views of the surviving brewery branding. The former Angel Hotel in Ashton-under-Lyne retains an unusually rich glazed-tile exterior carrying historic Shaw's Ales branding. Such faience and tilework was designed to be both decorative and commercial, giving brewery-owned pubs a durable identity that survived repainting and changes of tenant. The building is a particularly useful piece of streetscape evidence because the historic hospitality use and brewery advertising remain legible even when the premises themselves change function. It connects local brewing history, architectural ceramics, pub heritage and contemporary questions about preserving distinctive town-centre fabric. The location is Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change.
Former Angel Hotel, Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1452,Ashton-under-Lyne,Tameside,Greater Manchester,derelict building,run down street,urban decay,vacant property,boarded shop,high street decline,regeneration,commercial property,empty building,deprivation,town centre,post-industrial,England,UK,retail,British retail,high street,shop,business,consumer,shopping,storefront,commercial,economy,editorial
Description: Tony Smith image Alamy 3FCW5RN - . Derelict and run-down commercial premises in Ashton-under-Lyne, Tameside. Boarded openings, patched brickwork and deteriorating façades make this a strong general image of town-centre vacancy and physical neglect rather than of any one surviving business. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. There is also a strong sense of contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. This makes the photograph a useful piece of contemporary editorial documentation. It preserves a clear, searchable record of the subject and its setting for future editorial comparison.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1455,Happy Daze,costume hire,fancy dress,tattoos,Ashton-under-Lyne,Tameside,Greater Manchester,run down street,shopfront,high street,independent shop,urban decline,retail,regeneration,town centre,vacancy,England,UK,British retail,shop,business,consumer,shopping,storefront,commercial,economy,editorial,documentary
Description: Tony Smith image Alamy 3FCW5T1 - . Happy Daze costume and tattoo shop on a worn commercial street in Ashton-under-Lyne. Hand-painted signs for fancy dress, costume hire and tattoos occupy a visibly weathered building, showing how small independent businesses adapt older commercial premises. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage. This makes the photograph a useful piece of contemporary editorial documentation.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1456,Ashton-under-Lyne,run down high street,Tameside,Greater Manchester,shopfronts,urban decline,high street,regeneration,vacant shops,commercial property,town centre,retail decline,post-industrial,deprivation,empty units,street scene,England,UK,retail,British retail,shop,business,consumer,shopping,storefront,commercial,economy,editorial,neglected,deserted,forgotten
Description: Tony Smith image Alamy 3FCW675 - . Run-down commercial street and ageing shopfronts in Ashton-under-Lyne town centre. Peeling paint, older signage and tired façades make physical decline the main subject, providing an unvarnished record of the pressures facing parts of the traditional town centre. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative stock-photo/gotonysmith-Editorial.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>editorial use. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. This makes the photograph a useful piece of contemporary editorial documentation.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,England football,World Cup final,Ashton-under-Lyne,Tameside,street art,sports heritage,England,UK,culture,heritage,tourism,local identity,urban art,community,town centre,documentary,editorial,it is now,winners,winner,Wembley 1966,Three Lions,football,street,art,sporting history,World Cup,nostalgia,red,Jules Rimet Trophy,Make Ashton Great Again,team,history,three lions,world cup 1966,Wembley,world cup final 1966
Description: Tony Smith image Alamy 3FCW6D2 - A large street-art mural in Ashton-under-Lyne celebrates Sir Geoff Hurst and England's victory in the 1966 FIFA World Cup. Painted on a town-centre wall beside Wood Street, the artwork shows Hurst in England's famous red shirt striking the ball, with a separate panel headed 1966 Our Finest Hour . Hurst was born in Ashton-under-Lyne in December 1941 and spent his early childhood in nearby Denton before his family moved to Essex. He became a West Ham United great and secured a unique place in English football history at Wembley on 30 July 1966, scoring three times as England defeated West Germany 4-2 after extra time in the World Cup final. The mural depicts the moment of Hurst's third goal, forever associated with commentator Kenneth Wolstenholme's celebrated They think it's all over call. Hurst returned to his birthplace for the mural's unveiling during Ashton's Street Life Festival in June 2026, the 60th anniversary year of England's World Cup triumph. The project formed part of local efforts to bring activity, visitors and civic pride back into Ashton town centre, with a World Cup fan zone created nearby on Wood Street. The mural connects a nationally recognised sporting achievement with Tameside's unusually rich World Cup heritage. Fellow 1966 England squad member Jimmy Armfield was born in Denton, while Italy's 2006 World Cup winner Simone Perrotta was born in Ashton-under-Lyne. Hurst, who won 49 England caps and scored 24 international goals, is the last surviving player from England's team that appeared in the 1966 final. The bright red figure against a monochrome Wembley crowd turns a familiar archive football image into prominent public art and a piece of local sporting heritage, commemorating both England's only men's World Cup title and Ashton's connection with one of the most famous moments in British football history. Photographed in 2026, it also reflects public art celebrating local identity and encouraging town-centre regeneration
Wood Street, Ashton-under-Lyne, Tameside, Greater Manchester, OL6 6AX
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1463,The Lost Boys,Santa Clara,mural,street art,Ashton-under-Lyne,Tameside,Greater Manchester,cult film,1987,movie mural,public art,vampire,film characters,urban art,wall painting,cinema nostalgia,England,UK,culture,heritage,tourism,local identity,community,town centre,documentary,editorial,contemporary,Britain
Description: Tony Smith image Alamy 3FCW6D6 - . Portrait section of The Lost Boys Santa Clara mural in Ashton-under-Lyne. This angle concentrates on the black-and-white character portraits and Lost Boys title, making the film reference more prominent than the wider California-themed lettering. The Santa Clara mural in Ashton-under-Lyne references the fictional California setting of the 1987 cult film The Lost Boys, using large-scale portraiture and lettering to turn a brick gable wall into a piece of popular-culture street art. Murals of film and music subjects can create informal landmarks, encourage photography and add colour to secondary streets that may otherwise show vacancy or physical decline. The work is useful editorially for themes including public art, cinema nostalgia, fan culture, urban regeneration, mural tourism and the creative reuse of blank commercial walls. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. This makes the photograph a useful piece of contemporary editorial documentation. The visible details also strengthen its usefulness as documentary stock photography.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1464,Santa Clara,The Lost Boys,mural,Ashton-under-Lyne,street art,1987 film,cult movie,Tameside,Greater Manchester,public art,cinema,film mural,California,vampire film,urban art,regeneration,wall art,England,UK,culture,heritage,tourism,local identity,community,town centre,documentary,editorial,contemporary
Description: Tony Smith image Alamy 3FCW719 - . Santa Clara / The Lost Boys mural in Ashton-under-Lyne, Greater Manchester. The red wall carries large Welcome to Santa Carla California lettering and Lost Boys imagery, turning a side street into an overt homage to the cult vampire film. The Santa Clara mural in Ashton-under-Lyne references the fictional California setting of the 1987 cult film The Lost Boys, using large-scale portraiture and lettering to turn a brick gable wall into a piece of popular-culture street art. Murals of film and music subjects can create informal landmarks, encourage photography and add colour to secondary streets that may otherwise show vacancy or physical decline. The work is useful stock-photo/gotonysmith-Editorial.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>editorially for themes including public art, cinema nostalgia, fan culture, urban regeneration, mural tourism and the creative reuse of blank commercial walls. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. This makes the photograph a useful piece of contemporary editorial documentation. It preserves a clear, searchable record of the subject and its setting for future editorial comparison.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,brewery tiles,Tameside,Greater Manchester,pub tiles,glazed tiles,brewing history,Victorian tiles,Edwardian,heritage,brewery,ale,stout beer,architectural ceramics,England,UK,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,breweries,Matley,Stalybridge,1970s,of,Liverpool,tied,house,public house,theatre,tavern,glazed,tiles,Bass Charrington,industrial heritage
Description: Tony Smith image Alamy 3FCW71C - Close-up of historic green glazed ceramic tile advertising reading GARTSIDES FAMOUS ALES & STOUT on the Theatre Tavern, 42 Oldham Road, Ashton-under-Lyne, Tameside, Greater Manchester. The ornate brewery livery survives on the Cotton Street side of the pub and is a striking reminder of the town's independent brewing industry. The premises began in 1840 as a combined corner shop and beer house and in 1869 became the Robin Hood and Little John, later shortened to the Robin Hood. It was eventually renamed the Theatre Tavern because of its position beside the Tameside Hippodrome. The tiled frontage was installed for local brewer Gartside's, whose Brookside Brewery was founded by John Gartside at Matley near Stalybridge in 1830 and moved to Jeremy Brook, Pottinger Street, Ashton-under-Lyne, in 1847. The business became Gartsides Ltd in 1892 and was re-registered as Gartside's (Brookside) Brewery Ltd in 1898. By the time Bent's Brewery acquired the company in 1939 it controlled 180 tied houses, illustrating the scale of a regional brewery whose ales and stout were once familiar across Ashton, Stalybridge and surrounding industrial towns. Brewing at Brookside continued until 1970 and the brewery was demolished in 1976, making surviving tiled pub advertisements such as this valuable pieces of local brewing heritage. The richly coloured green, blue and bronze-yellow faience lettering also records an era when breweries used permanent architectural decoration to brand their tied public houses. The image is tightly framed on the historic sign, excluding the wider street, sky and pub exterior and emphasising the craftsmanship, lettering and glossy ceramic surface. Immediately next door, the Grade II listed Tameside Hippodrome remains closed but is the subject of continuing plans for stabilisation and possible phased restoration, adding a wider regeneration and heritage-conservation context to this surviving fragment of Ashton-under-Lyne's pub history.
42 Oldham Rd, Ashton-under-Lyne OL6 7AP
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1501,Tameside Hippodrome,Ashton-under-Lyne,theatre,former theatre,Tameside,Greater Manchester,historic building,entertainment,regeneration,closed venue,town centre,cultural heritage,performing arts,vacancy,cinema,British theatre,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary,rundown,run-down,run down
Description: Tony Smith image Alamy 3FCW71E - . Frontage of the former Tameside Hippodrome theatre in Ashton-under-Lyne. This wider view shows more of the boarded or altered ground-floor frontage, making the condition and potential future reuse of the former entertainment venue more apparent. Tameside Hippodrome is a prominent theatre building in Ashton-under-Lyne with a long entertainment history. The venue evolved through theatre, cinema and later council-run performance use before closing, leaving its large frontage as a conspicuous reminder of the challenges involved in maintaining historic cultural buildings. Images of the exterior are useful for local heritage and regeneration stories because theatres can be both important civic assets and difficult buildings to finance, restore and operate. The site also documents changing patterns of popular entertainment in a town shaped by industrial growth. The location is Tameside Hippodrome, Ashton-under-Lyne, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. This makes the photograph a useful piece of contemporary editorial documentation.
Tameside Hippodrome, Ashton-under-Lyne, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1502,Tameside Hippodrome,Ashton-under-Lyne,theatre,Hippodrome,Tameside,Greater Manchester,historic theatre,closed theatre,culture,entertainment,regeneration,heritage building,vacant building,town centre,performing arts,cinema history,England,UK,heritage,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,archive,documentary,rundown,run-down,run down
Description: Tony Smith image Alamy 3FCW75H - . Tameside Hippodrome theatre exterior in Ashton-under-Lyne. The weathered gable and Hippodrome sign are framed against a clear blue sky, emphasising the building's recognisable identity despite its long period of uncertainty. Tameside Hippodrome is a prominent theatre building in Ashton-under-Lyne with a long entertainment history. The venue evolved through theatre, cinema and later council-run performance use before closing, leaving its large frontage as a conspicuous reminder of the challenges involved in maintaining historic cultural buildings. Images of the exterior are useful for local heritage and regeneration stories because theatres can be both important civic assets and difficult buildings to finance, restore and operate. The site also documents changing patterns of popular entertainment in a town shaped by industrial growth. The location is Tameside Hippodrome, Ashton-under-Lyne, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. There is also a strong sense of contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. This makes the photograph a useful piece of contemporary editorial documentation. It preserves a clear, searchable record of the subject and its setting for future editorial comparison.
Tameside Hippodrome, Ashton-under-Lyne, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1513,funeral carriage,funeral trap,horse drawn,hearse,historic vehicle,Ashton-under-Lyne,Tameside,Greater Manchester,funeral history,carriage,undertaker,heritage,transport,Victorian funeral,museum object,England,UK,retail,British retail,high street,shop,business,consumer,shopping,storefront,commercial,town centre,economy
Description: Tony Smith image Alamy 3FCW75M - . Historic horse-drawn funeral trap or carriage displayed in Ashton-under-Lyne. The black-and-red wheeled carriage has the tall frame and formal appearance associated with older funeral transport, providing a striking contrast with modern motor hearses. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage. This makes the photograph a useful piece of contemporary editorial documentation.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1518,Trotters Independent Trading,yellow van,Del Boy,Only Fools and Horses,Reliant Robin,novelty vehicle,Ashton-under-Lyne,Tameside,Greater Manchester,TV memorabilia,British comedy,trading van,replica,pop culture,vehicle,England,UK,retail,British retail,high street,shop,business,consumer,shopping,storefront,commercial,town centre,economy
Description: Tony Smith image Alamy 3FCW75T - . Yellow Trotters Independent Trading Co novelty van in Ashton-under-Lyne. The bright yellow three-wheeler carries Trotters Independent Trading Co-style lettering, deliberately evoking the famous van associated with Del Boy in the British sitcom Only Fools and Horses. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative stock-photo/gotonysmith-Editorial.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>editorial use. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. This makes the photograph a useful piece of contemporary editorial documentation.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1525,Avenue Umbrella Shop,Ashton-under-Lyne,umbrella shop,walking sticks,umbrellas,shopfront,independent shop,Tameside,Greater Manchester,high street,traditional retailer,empty shop,vacancy,specialist shop,retail heritage,town centre,British high street,England,UK,retail,British retail,shop,business,consumer,shopping,storefront,commercial,economy
Description: Tony Smith image Alamy 3FCW7DN - . The Avenue Umbrella Shop frontage in Ashton-under-Lyne, Greater Manchester. The old-fashioned painted sign advertises umbrellas, walking sticks and presents above a faded frontage, giving the premises the appearance of a specialist shop from an earlier retail era. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage. There is also a strong sense of contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. This makes the photograph a useful piece of contemporary editorial documentation. It preserves a clear, searchable record of the subject and its setting for future editorial comparison.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1526,Lloyds Bank,ATM,cashpoint,defibrillator,AED,91 Old Street,Ashton-under-Lyne,OL6 7RU,Tameside,Greater Manchester,cash access,banking,public health,emergency equipment,high street,branch,financial services,community safety,England,UK,finance,consumer,money,digital change,town centre,editorial,documentary,contemporary
Description: Tony Smith image Alamy 3FCW7WM - . Lloyds Bank ATMs and public defibrillator at 91 Old Street, Ashton-under-Lyne. Two green-framed cash machines sit beside a wall-mounted emergency defibrillator, an unusual juxtaposition of everyday banking and potentially life-saving public equipment. Lloyds Bank operates at 91 Old Street, Ashton-under-Lyne, OL6 7RU, with cashpoint facilities and conventional branch services. The scene is notable for the juxtaposition of ATMs with a publicly accessible defibrillator, bringing together financial infrastructure and emergency health equipment in the same street frontage. Cash machines remain an important physical service even as mobile and online banking reduce visits to branches, while defibrillators are increasingly installed in prominent public locations. The image can support coverage of cash access, bank branch change, community safety and high-street services. The location is Lloyds Bank, 91 Old Street, Ashton-under-Lyne, OL6 7RU, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The photograph is particularly useful where a story needs an identifiable real-world example rather than an abstract illustration, because the surrounding details place the subject in an ordinary British or European setting. Commercial and civic landscapes can change quickly, so apparently routine photographs of signs, shopfronts, machines and transport infrastructure often acquire additional documentary value when companies rebrand, premises close or policies change. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. This makes the photograph a useful piece of contemporary editorial documentation.
Lloyds Bank, 91 Old Street, Ashton-under-Lyne, OL6 7RU, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,255A1529,Cash Generator,Ashton-under-Lyne,Tameside,Greater Manchester,second hand,pawnbroker,used goods,cash,retail,high street,shopfront,electronics,buy and sell,consumer credit,cost of living,town centre,British high street,England,UK,British retail,shop,business,consumer,shopping,storefront,commercial,economy,editorial
Description: Tony Smith image Alamy 3FCW80G - . Cash Generator second-hand and pawnbroking-style retail shop in Ashton-under-Lyne. The bold blue-and-yellow fascia and densely stocked windows create a classic value-retail appearance associated with buying and selling second-hand consumer goods. Ashton-under-Lyne is one of the principal town centres of Tameside in eastern Greater Manchester. Its streets retain a dense mix of Victorian and twentieth-century commercial buildings, banks, markets, small independents and vacant or altered shopfronts. Like many traditional English centres it has faced competition from out-of-town retail, online shopping and changing leisure patterns. Photographs of individual premises and tired streetscapes provide useful evidence for stories about regeneration, vacancy, adaptive reuse, local enterprise, business rates and the uneven fortunes of post-industrial town centres. The location is Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. This makes the photograph a useful piece of contemporary editorial documentation. The visible details also strengthen its usefulness as documentary stock photography.
Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4412,Ashton Old Baths,Ashton-under-Lyne,Henry Square,Tameside,Greater Manchester,Victorian baths,swimming baths,Grade II*,historic building,public baths,1870,Paull and Robinson,fountains,digital hub,adaptive reuse,regeneration,heritage,civic building,summer,England,UK,history,historic,industrial archaeology,local history,architecture,conservation,built heritage,hottest,ever,2026,climate change,fountain,climate change world
Description: Tony Smith image Alamy 3FD8EHN - . Ashton Old Baths and fountains at Henry Square, Ashton-under-Lyne, Greater Manchester. The tall brick chimney and restored bath complex rise behind fountains in bright weather, presenting the building as an active piece of civic heritage rather than a derelict relic. Ashton Old Baths is one of Ashton-under-Lyne's major Victorian civic landmarks. The municipal baths opened in 1870, designed by Paull and Robinson, and Historic England lists the building at Grade II*. It was created in the era of public-health reform, when towns invested in bathing, swimming and sanitation facilities for rapidly growing industrial populations. After decades of closure and disuse, the structure was restored and reinvented as a digital and creative business hub, using a ˜building within a building' approach that preserved the dramatic historic shell while giving it a new economic purpose. The location is Ashton Old Baths, Henry Square, Ashton-under-Lyne, Tameside, OL6, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative stock-photo/gotonysmith-Editorial.html?sortBy=relevant&pseudoid=237DAF28-A4ED-4448-8173-C0E81ABEEC6F Target=_Blank>editorial use. The image therefore has value not only for current news features but also for retrospective comparisons of how streets, services, brands and public expectations evolve over time. Details that might seem mundane at the moment of photography can later help date a streetscape or explain how a service was delivered, which is one reason straightforward editorial documentation remains useful to archives and publishers. As an editorial stock image, it also records the typography, branding, materials and street-level visual language of its period, details that can become historically valuable as shops, products and public infrastructure are altered or replaced. This makes the photograph a useful piece of contemporary editorial documentation.
Ashton Old Baths, Henry Square, Ashton-under-Lyne, Tameside, OL6, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,IMG_4424,Bee Network,Metrolink,Manchester tram,Ashton-under-Lyne,Ashton West,Tameside,Greater Manchester,tram interior,public transport,westbound,yellow grab rails,light rail,TfGM,tram,passenger transport,next stop display,urban transit,commuting,integrated transport,England,UK,railway,rail travel,transport,passenger,infrastructure,Manchester,station
Description: Tony Smith image Alamy 3FD8EJ9 - . Interior of a westbound Bee Network Metrolink tram leaving Ashton-under-Lyne, Greater Manchester. The mostly empty modern tram interior shows yellow handrails and an electronic display announcing the next stop, Ashton West, as the service heads towards Manchester. Greater Manchester's Metrolink route to Ashton-under-Lyne forms part of the city-region's integrated public transport network, now increasingly presented under Bee Network branding. Ashton has a much older tram history stretching back to horse and later electric street tramways, while the modern Metrolink extension restored rail-based urban transit to the town. The interior view, with yellow grab rails, passenger seating and electronic next-stop display, provides a recognisable contemporary image of accessible urban public transport, useful for stories about franchising, modal shift, commuting, local connectivity and public investment. The location is Manchester Metrolink, Ashton-under-Lyne, Tameside, Greater Manchester, England. This geographical detail helps distinguish the subject from similar businesses, buildings or scenes elsewhere and gives the photograph stronger value for local, regional and comparative editorial use. The scene can be read at several levels: as a record of the immediate subject, as evidence of changing consumer or public behaviour, and as a small piece of the wider social and economic history visible in everyday places. For picture researchers, the combination of legible wording and clear environmental context broadens the potential use beyond a simple location shot, allowing the image to support business, heritage, lifestyle and public-policy coverage. There is also a strong sense of contemporary place: practical objects, signage and architecture are shown as they actually appear in use, without removing the clutter that makes a documentary photograph informative. This makes the photograph a useful piece of contemporary editorial documentation.
Manchester Metrolink, Ashton-under-Lyne, Tameside, Greater Manchester, England
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,Im,Reform UK,ReformUK,Matt Goodwin,election sign,campaign sign,political sign,by-election,parliamentary by-election,UK election,voting,vote,political campaigning,political advertising,campaign poster,Im voting,Im voting Matt Goodwin,26th February,26 February 2026,residential politics,Denton,Tameside,UK politics,British politics,political communication,voter behaviour,neighbourhood campaigning,election day messaging,party branding,right-wing party,documentary,grassroots campaigning,doorstep politics,Nigel Farage,Makerfield,Ashton-in-Makerfield
Description: Tony Smith image Alamy 3DX14M3 - A Reform UK campaign placard staked into a front garden in Denton, Greater Manchester, promoting the candidate Matt Goodwin and urging support in the Gorton and Denton parliamentary by-election. The turquoise sign is clearly readable, carrying the slogan I'm voting MATT GOODWIN and the date 26th February , alongside the circular Reform UK logo. Behind the sign sits a typical red brick suburban home with a bay window and low garden planting, placing the campaign message firmly in the everyday domestic setting where much UK electioneering is seen at street level. Shot in late winter, the shrubs and hedging look seasonal and subdued, with daylight that suggests cool conditions and changeable skies. The image works as a strong editorial illustration of modern British politics, local campaigning, and voter persuasion, showing how parties use simple, highly legible branding and date specific messaging to signal support and visibility in residential neighbourhoods. It also documents the visual language of a contemporary UK by-election, including typography, slogans, party identity, and the use of private garden space as a platform for public political expression.
Reform UK ""I'm voting Matt Goodwin"" garden sign for the Gorton and Denton parliamentary by-election,
--Greater-Manchester--UK--3DX14P2.jpg)
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,Im,Union,British,flags,St George,Union Jack,flag,Reform UK,Matt Goodwin,election sign,by-election,Gorton and Denton,vote,political campaigning,campaign poster,garden sign,front garden,UK politics,British politics,constituency,Denton,Manchester,Tameside,England,United Kingdom,26 February,UK election 2026,general political concept,British democracy,UK electorate,campaign messaging,voter behaviour,political marketing,Nigel Farage,Makerfield,Ashton-In-makerfield
Description: Tony Smith image Alamy 3DX14P2 - A Reform UK campaign sign staked into a front garden outside a red brick suburban house in Denton, Greater Manchester, promoting the candidate Matt Goodwin and urging support in the Gorton and Denton parliamentary by-election, dated 26th February . The turquoise sign carries the Reform UK branding and the slogan I'm voting Matt Goodwin , with a smaller matching poster visible in the window behind. In the background, two flags fly above the garden hedge, a Union Jack and an England flag, adding a distinctly British, patriotic visual cue to the scene. Shot in late winter, the garden planting looks subdued and evergreen, with bare branches overhead and low seasonal colour, while the sky shows patches of blue with broken cloud in cold daylight. The image captures the everyday, street level nature of UK electioneering, where campaign messaging is planted literally at the boundary between private homes and public streets. It works as an editorial illustration of modern British politics, local campaigning, voter persuasion, and how parties use domestic spaces, signage, and national symbols to signal identity, affiliation, and intent in the run-up to polling day. The photograph also documents the visual language of a contemporary UK by-election, including typography, slogans, and date specific political advertising in a residential neighbourhood.
Reform UK sign ""I'm voting Matt Goodwin"" in a front garden for the Gorton and Denton by-election, De
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,station entrance,railway entrance,Denton Greater Manchester,station wall sign,Greater Manchester railway,British railway station,transport infrastructure,North West England,Denton station nameboard,sign,Northern Railway,station information board,GMPTE sign,Greater Manchester Passenger Transport Executive,National Rail station,brick wall,entrance signpost,station wayfinding,suburban railway station,Tameside,Manchester Road North,public transport,local rail network,station exterior,train station entrance,station identity,blue station sign,platform access,transport photography,editorial transport image,rail passenger information,station poster case,British transport signage,England railway station,urban suburb,winter sky
Description: Tony Smith image Alamy 3DX14P7 - The entrance to Denton railway station in Tameside, Greater Manchester, showing the station nameboard fixed to a brick wall, a wayfinding sign above, and an information case beside the entrance path. The scene captures the modest and understated character of a suburban British station that has become unusually well known because of how little it is used. Denton is served by an exceptionally sparse passenger timetable, with National Rail stating that the station has only one train a week in each direction on Saturdays. That means just two passenger services per week, making it one of the most unusual working stations on the national network and a familiar curiosity to rail enthusiasts, transport writers and campaigners interested in underused infrastructure. The image works well as an editorial or documentary photograph because it shows not just a platform or sign, but the ordinary public-facing entrance where local rail access begins, reinforcing themes of public transport provision, railway identity, local connectivity and the contrast between maintained infrastructure and minimal passenger use. Denton is on Manchester Road North and managed by Northern, with the platforms below the level of the main entrance. The retained GMPTE style branding on the signage also gives the picture additional value for stories about transport heritage, Greater Manchester public transport history and the evolution of station identity in northern England. Suitable for editorial use on topics such as Britain's quietest stations, least used railway stations, ghost train services, parliamentary services, rail timetable anomalies, suburban transport, station usage figures, local transport policy and the odd corners of the UK rail network
Entrance to Denton railway station in Greater Manchester, a little-used station known for its extrem
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,Denton Station,Denton,British railway station,rail signage,station signpost,public transport sign,North West England,transport infrastructure,least used station,quiet station,one train a week,two trains a week,ghost station,parliamentary service,rail curiosity,railway oddity,underused infrastructure,station usage statistics,British rail network,transport policy,local connectivity,rail enthusiast interest,documentary transport image,northern England railway,suburban transport,public transport signage,station access,low footfall station,pedestrian sign,station entrance sign,suburban railway,Tameside,Denton Greater Manchester,local rail network,travel sign,wayfinding post
Description: Tony Smith image Alamy 3DX14P9 - A blue pedestrian direction sign pointing towards Denton Station in Tameside, Greater Manchester, England, photographed against a bright winter sky. The sign carries the National Rail double-arrow symbol and provides a clear example of British railway wayfinding in an ordinary suburban streetscape. Images like this are useful editorially because they show how railway stations are signposted in the public realm, linking local walking routes, street furniture and transport infrastructure. Denton station has become particularly well known because of its exceptionally limited passenger timetable. Current station information states that Denton has an extremely sparse train service of only one train a week in each direction on Saturdays, effectively meaning two passenger services per week. That unusual service pattern has made the station a recurring subject in stories about Britain's quietest and least used stations, as well as wider debates about transport provision, so-called parliamentary services, and the survival of marginal railway links on the national network. The picture therefore has value not just as a clean transport sign image, but as an illustration of underused rail infrastructure, local connectivity, suburban mobility and the odd corners of the British rail system. Denton station is on Manchester Road North and serves the Denton area of Tameside in Greater Manchester. The simple composition, strong blue colour, readable text and uncluttered sky background also make the image commercially useful for articles, presentations and features about public transport, station access, rail branding, northern England travel, transport policy, and railway navigation signage.
Sources: National Rail and TransPennine Express station information pages confirm Denton station's location, postcode and current extremely sparse service pattern
Direction sign for Denton Station in Greater Manchester, a little-used railway station known for its
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Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,Greater Manchester,Bus Stop sign,Denton Station,Manchester Road North,Denton,Tameside,bus routes,bus timetable,transport signage,street furniture,Towards Hyde,route 201,route 202,route 335,public realm,transport policy,accessibility,modal shift,low carbon travel,local government,civic infrastructure,travel planning,everyday life,community connectivity,jobs and education access,franchising,information design,infrastructure maintenance,Hyde,Manchester,England,United Kingdom,commuter travel,commuting,sustainable transport,integrated transport,rail and bus interchange
Description: Tony Smith image Alamy 3DX1571 - Seen against a clear blue sky, a modern Bee Network bus stop sign marks the stop outside Denton Station on Manchester Road North in Denton, Tameside, Greater Manchester. The tall pole carries a bright yellow Bus Stop panel with a black bus pictogram, and a white information panel beneath that reads Manchester Rd North, Denton Station , with destination guidance Towards Hyde . The service list shows Bee Network routes 201, 202 and 335, underlining how buses provide the everyday last mile connection between neighbourhoods, shopping streets and the rail network.
This photograph works as a straightforward piece of documentary transport imagery, but it also supports wider stories about public transport reform, unified branding, franchising and service quality, as well as the practical realities of waiting for a bus in suburban Greater Manchester. The clean graphic design, high contrast text, and strong vertical composition create generous copy space for headlines, making it useful for press and online editorial about commuting, school and college travel, transport budgets, local authority priorities, passenger information, bus stop upgrades, maintenance, and accessible wayfinding. It also fits sustainability themes such as reducing car dependency, low carbon travel, modal shift, and connecting people to jobs, education and healthcare without needing a car.
The stop's location beside Denton Station makes it relevant for rail and bus interchange, travel planning, integrated ticketing, contactless payments, real time departure information, and the importance of legible signage. With no people present, the image emphasises infrastructure and place, capturing an ordinary but essential part of civic life in the North West of England. Keywords can legitimately include Bee Network, Transport for Greater Manchester, bus timetable, route numbers, street furniture, public realm, and the everyday experience of bus passengers in Denton and Hyde corridor services.
Bee Network bus stop sign outside Denton Station, Manchester Road North, Denton, Greater Manchester,
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,engine,loco,wall,decoration,railway,buffet,bar,rail,CAMRA,cask,ale,The Mancunian,steam,memorabilia,Transpennine Real Ale Trail,TransPennine Ale Trail,trail,interior,Victorian,history,heritage,historic,Tameside,Greater Manchester,England,UK,refreshment,room,platform,snug,Manc,tourism,preserved,pub crawl,architecture,nameplate,train
Description: Tony Smith image Alamy 3E8E1GF - The Mancunian railway-style nameplate displayed on the wall inside Stalybridge Buffet Bar on platform 4 of Stalybridge railway station, Tameside, Greater Manchester. The image shows a red curved decorative nameboard with white lettering mounted above a traditional pub interior wall, reflecting the bar's strong railway heritage and Mancunian identity. Stalybridge Buffet Bar is widely known as a surviving Victorian station buffet bar, dating from 1885, with original features, railway memorabilia, real ale and a reputation as one of the best-known stops on the Transpennine Real Ale Trail. The photograph is useful for editorial and commercial subjects including real ale pubs, historic railway stations, station bars, preserved pub interiors, railway memorabilia, Greater Manchester heritage, Tameside tourism, beer tourism, cask ale culture and the social history of British railway refreshment rooms. The word Mancunian links the scene to Manchester identity, local railway history, northern humour, regional pride and the long tradition of named locomotives, nameplates and railway signage used as decoration in pubs and heritage venues. The setting has indoor bar lighting and a warm, nostalgic feel, with the red sign standing out against a teal wall. This image may also suit stories about the Transpennine route, ale trails, railway pub crawls, heritage hospitality, Victorian architecture, Stalybridge station, platform pubs and the continued appeal of traditional real ale bars in an age of modernised railway travel. The photograph should be described carefully as a decorative railway-style sign or nameplate on display, unless the original locomotive provenance is independently confirmed. It captures a small but distinctive detail of a much-loved station pub, combining beer culture, rail enthusiasm, local identity and Greater Manchester pub heritage.
The Mancunian railway-style nameplate on display inside Stalybridge Buffet Bar, a real ale station p
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,cream of,pub,bitter,CAMRA,real ale,beer,Victorian,historic,heritage,history,Boddies,Tameside,Strangeways Brewery,Whitbread beer,pub sign,beer advertising,promotional signage,illuminated sign,platform 4,platform,SK15,SK15 1RF,England,United Kingdom,and,Beerhouse,real ale trail,Transpennine,ale trail,Huddersfield,surviving,architecture,marble bar,original features,railway memorabilia,draught,antique
Description: Tony Smith image Alamy 3E8PTX5 - Framed promotional sign for The Famous Stalybridge Buffet with Boddingtons Bitter branding, photographed inside Stalybridge Station Buffet Bar in Greater Manchester. The image combines railway pub heritage, beer advertising and Manchester brewing history, showing a nostalgic interior sign that links the celebrated station bar with Boddingtons, the former Manchester brewery famous for its bitter and Cream of Manchester identity. Stalybridge Station Buffet Bar is one of the best-known surviving railway station pubs in England, located on Platform 4 at Stalybridge railway station. CAMRA describes it as a Victorian railway buffet with marble bar and historic interior, housed in buildings that formed part of the station's 1885 reconstruction, and notes that it is one of very few licensed station buffets on the English rail network to survive substantially intact from before the Second World War. The image is useful for editorial coverage of real ale, railway heritage, pub preservation, northern drinking culture, beer tourism, cask ale, historic pub interiors, brewery memorabilia and the Manchester to Huddersfield ale trail. The sign's bold typography, Boddingtons badge and station-buffet wording make it especially relevant for stories about traditional bitter, old brewery advertising, pub signage, railway refreshment rooms and the way historic bars use breweriana and transport nostalgia to create atmosphere. Tameside Council also notes that Stalybridge Station Buffet Bar dates back to 1885 and retains many original features, with travellers and townspeople still able to enjoy a pint or cup of tea among reminders of earlier railway days. This photograph has strong stock value for beer writers, CAMRA features, railway magazines, pub history, travel articles, local heritage, Great Manchester culture, Tameside tourism and documentary pieces about characterful pubs that remain part of working railway stations. It is a small detail, but it tells a bigger story of Victorian
Boddingtons Bitter sign inside the famous Stalybridge Station Buffet Bar, a historic Victorian railw
Description
Keywords: GoTonySmith,@HotpixUK,HotpixUK,history,heritage,railway,rail,real ale,beers,drinkers,Victorian,bar,historic,interior,ales,memorabilia,crowded,busy,Northern,traditional,public house,Greater Manchester,Tameside,British pub,culture,marble-topped bar,venue,refreshment room,beer,tourism,TransPennine,Real Ale Trail,community,hospitality,preservation,preserved,features,industrial,leisure,authentic
Description: Tony Smith image Alamy 3EE4M5B - Real ale drinkers crowd the historic Station Buffet Bar on Platform 4 at Stalybridge railway station in Tameside, Greater Manchester. The lively interior is packed with customers standing around the original marble-topped bar, where traditional handpumps dispense changing cask ales, locally brewed beers and real cider. Railway signs, locomotive nameplates, destination boards, clocks, photographs and other memorabilia cover the deep red walls, creating the atmosphere of a working railway museum combined with a popular public house.
The buffet occupies buildings created during the station's reconstruction in 1885 and is one of the few surviving licensed Victorian railway refreshment rooms in England to retain much of its historic character. CAMRA recognises the interior as being of very special national historic interest. Its surviving features include the marble counter, period back fittings, decorative details and adjoining former first-class ladies' waiting room, which was incorporated during an expansion while preserving its ornate ceiling and railway heritage.
The photograph captures the social appeal of real ale culture, with friends, rail passengers, local regulars and visiting beer enthusiasts gathering in a compact and convivial space. Stalybridge is a recognised stop on the TransPennine Real Ale Trail, and the buffet has become a destination in its own right rather than simply somewhere to wait for a train. Its continued popularity shows how historic station pubs can support tourism, local brewing, railway heritage and community life.
Bright brass beer engines, pump clips and polished wood contrast with the crowded bar and densely displayed railway artefacts. This editorial image is suitable for themes involving British pub culture, CAMRA heritage interiors, cask beer, railway tourism, historic station architecture, community pubs, social drinking, industrial history and the preservation of distinctive independent hospitality venues.
Rassbottom Street, Stalybridge, Tameside, Greater Manchester, England, SK15 1RF
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Hyde,Manchester,UK,pub,closed,Inn,2 Ashworth Lane,Enterprise Inns,important,coaching inn,route,history,historic,boozers pub,pubs,bar,bars,in,Longdendale,Greater Manchester,the Pack Horse,old,sign,signs,B6174,elaborate,Tameside,village,SK14 6JL,Mottram in Longdendale,Mottram,villages
Description: Tony Smith image Alamy 2K1NK50 - he Pack Horse Inn at Mottram in Longdendale was a stopping place for pack horse trains on the saltway from Cheshire through to Yorkshire.
Having being closed for more than year, owners Enterprise Inns, based in Solihull, were granted planning permission in 2013 to convert it into a single house. The conversion appears to be still unfinished.
2 Ashworth Lane, Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Hyde,UK,roundabout,fingerpost,fingerposts,sign,signs,B6174,11,29,Charlesworth,7,19,Greater Manchester,historic,history,route,elaborate,Longdendale,Tameside,village,SK14 6JL,Mottram in Longdendale,Mottram,villages,feature,Street,features,small,hillside,rural,edge,of
Description: Tony Smith image Alamy 2K1NK51 - . This authentic period view of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL in 2022 preserves the main subject alongside smaller contextual details that can acquire greater historical value as places and uses change. The photograph centres on Fingerposts in centre of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL. Further facets of the scene include heritage-led regeneration, changing land use, community identity, trackside history, civic architecture, historical comparison, commercial redevelopment, urban regeneration, station environment, rail corridor, historic townscape, industrial railway, archival record, and adaptive reuse. For current editorial use, signalling technology and rail reform provide additional context, especially through the importance of preserving signal boxes and rolling stock as industrial heritage. Current relevance extends to housing pressure and construction costs, particularly through the tension between preserving local character and creating modern commercial space. The archival value lies partly in recording local activity and public use around Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL before new ownership alters the character of the place. The surrounding story also includes documentary photography, before-and-after reference, everyday life, mixed-use redevelopment, visual archive, public-realm investment, rail transport history, and rail operations. References to Tameside, centre, Mottram, Fingerposts, and Manchester give the picture a strong period identity and tie it closely to its named subject. For Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The record includes evidence of earlier appearance within the wider story of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL.
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Hyde,Tameside,Manchester,UK,SK14 6JL,SK14,1707-1767,blue plaque,born in,created,elaborate,a,Greater Manchester,sign,signs,B6174,historic,history,route,Longdendale,village,Mottram in Longdendale,Mottram,villages,feature,Street,features,small,hillside,rural,edge,of
Description: Tony Smith image Alamy 2K1NK56 - . An identifiable period record of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL in 2022, retaining practical detail and local context that distinguish documentary photography from a generic illustration. The image documents Lawrence Earnshaw 1707-1767,Blue plaque Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL. Another layer of the photograph includes before-and-after reference, mixed-use redevelopment, mechanical movement, place-making, place identity, collectable wristwatch, local history, historic townscape, social history, changing land use, manual-wind movement, local character, archival record, and mechanical watchmaking. The modern context includes continuing discussion of analogue technology, repairability and the contrast between mechanical timekeeping and connected wearables. For current editorial use, adaptive reuse and commercial viability provide additional context, especially through how public investment can reshape pedestrian movement and evening activity. As a dated visual record of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the frame retains materials and architectural details, making it especially useful if later reinterpretation subsequently changes the scene. Other useful contextual ideas include horological collecting, period detail, analogue timekeeping, watchmaking heritage, built heritage, visual archive, town-centre renewal, and regional identity. Details involving 1707-1767, Manchester, Tameside, Earnshaw, and Longdendale make the image more specific than a generic view and strengthen its local or historical value. For village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. The photograph keeps period character before later change alters the scene.
village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,manners,man,education,old,schoolhouse,caption,over,doorway,stone,motto,of,William of. Wykeham,Hyde,Manchester,UK,SK14 6JL,village,house,Longdendale,Greater Manchester,sign,signs,B6174,historic,history,route,elaborate,Tameside,Mottram in Longdendale,Mottram,villages,feature,Street,features
Description: Tony Smith image Alamy 2K1NK5N - . Photographed at village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL in 2022, this detailed documentary image records the subject within its real surroundings and preserves a specific stage in the life of the location. The photograph centres on Caption over doorway, Manners makyth man, over Mottram old school, village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL. The image also relates to regional identity, adaptive reuse, commercial redevelopment, community identity, everyday life, place-making, heritage-led regeneration, period architecture, urban regeneration, historic townscape, documentary photography, changing land use, local history, and visual archive. From a 2025-onward perspective, town-centre regeneration and construction costs are closely linked to this subject, alongside how public investment can reshape pedestrian movement and evening activity. Future viewers can use this scene from village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL to compare commercial use and occupation with whatever follows after new construction. The photograph additionally reflects period detail, archival record, architectural character, social history, urban fabric, town-centre renewal, public realm, and changing streetscape. Elements such as Manchester, Mottram, village, Caption, and makyth add documentary specificity and may become increasingly useful when compared with later records. For village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is town-centre regeneration and how regeneration tries to create reasons to visit traditional town centres without losing the local specificity of village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL.
village of Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,death,mourning,British,flag,gate,cross,stonework,blue skies,stone,construction,blue sky,Mottrams,Longdendale,in,Mottram,heritage,sunny
Description: Tony Smith image Alamy 2K1NK60 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,QEII,II,book,death,died,respect,trees,evening,dusk,services,service,remember,remembrance
Description: Tony Smith image Alamy 2K1NK63 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,death,mourning,British,flag,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies,stone,construction,stonework
Description: Tony Smith image Alamy 2K1NK65 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,grave,bell,ringer,ringing,graveyard,stone,stonework,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies
Description: Tony Smith image Alamy 2K1NK6A - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,grave,ringer,memorial,stone bells,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies,stone,construction,stonework
Description: Tony Smith image Alamy 2K1NK6C - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,grave,bellringer,1880,erected,by,his,friends,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies
Description: Tony Smith image Alamy 2K1NK6F - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,wide,sun,sunshine,union,flag,half-mast,half,mast,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies
Description: Tony Smith image Alamy 2K1NK6G - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,wide,sun,sunshine,union,flag,half-mast,half,mast,celtic,cross,graveyard,British,construction,blue sky,Mottram,metal,sunny
Description: Tony Smith image Alamy 2K1NK6J - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,bells,bell ringing,stone,bell,ringer,change,died,1880,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies
Description: Tony Smith image Alamy 2K1NK6K - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,metal,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies,stone,construction,stonework,flag,gate,cross,British,graveyard
Description: Tony Smith image Alamy 2K1NK71 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,metal,sunny,heritage,Mottram,in,Longdendale,Mottrams,blue sky,blue skies,stone,construction,stonework,flag,gate,cross,British
Description: Tony Smith image Alamy 2K1NK78 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,lintel,heritage,stone,stones,lintels,back,disused,doors,entrances,entrance,overgrown,ivy,plants,plant
Description: Tony Smith image Alamy 2K1NK79 - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,step,stairs,clock,face,BW,Black and White,Black & White,tower,clock tower,towers,heritage,Mottram,in,Longdendale,Mottrams
Description: Tony Smith image Alamy 2K1NK7C - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,parish,overlooking,the,village,of,Hyde,Tameside,Manchester,UK,SK14 6JL,St Michael,and,All Angels,Church,history,historic,Greater Manchester,warhill,Grade II listed building,step,stairs,clock,face,tower,clock tower,towers,heritage,Mottram,in,Longdendale,Mottrams,colour
Description: Tony Smith image Alamy 2K1NK7D - St Michael and All Angels Church stands on Warhill overlooking the village of Mottram in Longdendale, Greater Manchester, England. The church is recorded in the National Heritage List for England as a designated Grade II* listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Mottram
The earliest evidence of a church on the site is in 1225 when clergy attached to the church were witnesses to local documents. There is a further reference to the church in a taxation document dated 1291. The present church dates from the end of the 15th century. A major restoration took place in 1854“55 by E. H. Shellard, during which the nave roof was raised
The church is built from local stone quarried from Tinsell-Norr in Perpendicular style. The plan consists of a west tower, a five-bay nave with a clerestory, north and south aisles, a two-bay chancel and a south porch. At the east end of each aisle is a chapel. The north chapel is known as the Hollingworth Chapel and the south chapel is the Staley Chapel. The tower is in four stages with angled buttresses, a three-light west window above which is a clock face and two-light belfry openings. In one corner is a stair turret. At the top is a castellated parapet with crocketed corner finials.
In the churchyard is a sundial with a dial dated 1811. It consists of a stone shaft with a copper dial and a gnomon. It is listed at Grade II. Also listed at Grade II are the gatepiers, railings, steps and walls of the churchyard. Near the church is a medieval cross which was restored in 1760 and again in 1897, the latter restoration being to celebrate the diamond jubilee of Queen Victoria. The octagonal shaft stands on a stepped circular ashlar plinth. On its top is a cubical sundial with three copper faces. It is listed at Grade II*
Mottram in Longdendale,Hyde,Tameside,Manchester,England,UK, SK14 6JL
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,England,Market Street,Greater Manchester,UK,SK14 6AX,SK14,rail,public,transport,village,Glossop line,Etherow,Centre,historic,former,building,Tameside,volunteers,volunteering,disabled riders,disabled,riding,stations,heritage,zone,warehouse,history,preserved,developed,sunny,blue sky,blue skies,rural
Description: Tony Smith image Alamy 2K1NRM2 - The etherow centre (broadbottom station) venue information
The Centre in its current form dates back to the early 1980s. The Community Centre Association, led by the late Betty Cohen, was very worried about the condition of the railway warehouse. They felt that so important a building in the history of Broadbottom should not be allowed to just rot away. With the help of Greater Manchester Council and Tameside Council who provided the necessary mortgage, the building was bought and converted into the centre for disabled riders which it has remained ever since alongside Tameside School of Gymnastics.
The Etherow Centre Charitable Trust currently maintains this historic building enabling many able bodied and disabled users to participate in the various activities offered.
Market Street, Broadbottom, Greater Manchester, England, UK, SK14 6AX
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,large,huge,bristols,tits,breast,breasts,double-entendre,rude,bacon,greasy,spoon,cafe,breakfast,witty,humour,humourous,waggon,snap,snack,bar,Hyde,Hyde Road,Mottram,Londendale,Tameside,Greater Manchester,England,UK,SK14,A57,in,takeaway,tasty,diner,dogging
Description: Tony Smith image Alamy 2K1Y7NK - . An on-location photograph from Hyde Road, Mottram, Londendale, Tameside,Greater Manchester, England, UK, SK14 6NG in 2022, showing the named subject as part of a wider social, commercial, cultural or physical setting rather than as an isolated object. The subject captured here is Customers at Big Baps butty van, Hyde Road, Mottram, Londendale, Tameside,Greater Manchester, England, UK, SK14 6NG. The surrounding context encompasses changing streetscape, visual archive, railway heritage, public realm, industrial railway, signal-box architecture, traditional hostelry, rail transport history, neighbourhood drinking venue, freight wagon, local social venue, rail infrastructure, everyday life, and historical comparison. From a 2025-onward perspective, rail reform and railway preservation are closely linked to this subject, alongside how Crewe's identity remains tied to railway engineering and operations. The wider contemporary story combines staffing pressure, business rates and the pressure on customer-facing businesses in a high-cost economy. The archival value lies partly in recording local activity and public use around Hyde Road, Mottram, Londendale, Tameside,Greater Manchester, England, UK, SK14 6NG before replacement signage alters the character of the place. The subject also sits alongside night-time economy, food-and-drink business, local character, regional identity, customer-facing leisure, social history, hospitality trade, and community identity. Elements such as Londendale, butty, Greater, Manchester, and Mottram add documentary specificity and may become increasingly useful when compared with later records. By fixing the subject within Hyde Road, Mottram, Londendale, Tameside,Greater Manchester, England, UK, SK14 6NG, the image preserves more than the headline object or building: it records part of the locality's everyday history. That local specificity strengthens the long-term documentary value of image 2K1Y7NK.
Hyde Road, Mottram, Londendale, Tameside,Greater Manchester, England, UK, SK14 6NG
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,High Peak,trust,Glossop,Derbyshire,England,UK,SK13 8AY,tamesideandglossopicft,Tameside,hospital,British,town,centre,Pioneer Health Care,Limited,Ltd,Diagnostic,screening,procedures,surgical,Treatment,of,disease,disorder,or,injury,provisions,medical,health,healthcare
Description: Tony Smith image Alamy 2K1Y80K - . This location-specific image from George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY in 2022 provides a visual record of the subject in everyday context, useful for both contemporary editorial work and later historical comparison. The frame specifically shows NHS Tameside and Glossop, Primary Care Centre, foundation trust, George Street, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY. The frame also records themes of local character, historical comparison, town-centre renewal, historic townscape, place identity, commercial redevelopment, mixed-use redevelopment, period detail, civic architecture, urban regeneration, changing land use, public realm, visual archive, and everyday life. From a 2025-onward perspective, public-realm investment and construction costs are closely linked to this subject, alongside the tension between preserving local character and creating modern commercial space. The image fixes street furniture and boundaries within George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY at one identifiable point, providing a benchmark against later reinterpretation. The wider setting retains connections with adaptive reuse, local history, built heritage, changing streetscape, social history, urban fabric, community identity, and documentary photography. References to Primary, foundation, Derbyshire, Tameside, and trust give the picture a strong period identity and tie it closely to its named subject. For George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY, the photograph contributes to a cumulative visual history in which changes in use, signs, access and appearance can be traced over time. A further contemporary connection is public-realm investment and the tension between preserving local character and creating modern commercial space without losing the local specificity of George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY.
George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,CH65,canal,centre,waterway,national,Cheshire,England,UK,CH65 4FW,historic,steam,power,the,pump,house,water,NWM,giant,boiler,boilers,pumphouse,5517,Tinker,Shenton,limited,maker,Tameside,works,James Shenton,Richard Shenton,George James Tinker,Furnace Street,Flowery Field,Manchester,engineers,boiler makers
Description: Tony Smith image Alamy 2K1YKX3 - Tinker, Shenton and Company, based at Hyde Boiler Works, Hyde, Cheshire (now in Tameside), England, were a firm of boilermakers, founded in 1872. The firm was at that date incorporated as a Limited Company by James Shenton, Richard Shenton and George James Tinker.
Initially based at a workshop on John Street, Hyde, the firm soon moved to Hyde Boiler Works on Furnace Street in the Flowery Field area, from where they operated until the closure of the firm in 1928.
One of the pair of Tinker, Shenton & Co boilers at Queen Street Mill
Tinker, Shenton and Company manufactured Lancashire and Cornish steam boilers. Well-preserved examples of their Lancashire boilers exist at both the Ellesmere Port Boat Museum and the Queen Street Mill Textile Museum in Burnley, Lancashire, which has a pair.
National Waterways Museum, South Pier Rd, Ellesmere Port, Cheshire, England, UK, CH65 4FW
Description
Keywords: Stalyvegas,sign,signs,pub,CAMRA,real,ale,realale,est,1885,Transpennine,aletrail,Tameside,Greater,Manchester,England,UK,public,house,Victorian,Railway,British,Rail,best,north,west,drinking,famous,platform,buffers,tourist,attraction,Stalybridge Station,Original Buffet bar,north West,GoTonySmith,oldfashioned,old,fashioned,retro,room,rooms,traditional,train,waiting,area,pumps,keg,draught,ale,Rassbottom,St,street,Penine,awards,award,homemade,home,made,saloon,English,platform4,Northern,afternoon,evening,tea,1st,class,first,real,cask,Buy Pictures of,Buy Images Of,waiting Room,Pennine Real Ale Trail,Platform 4,Victorian station,buffet bars
Description: Tony Smith image Alamy EY5KE7 - Step back in time & visit one of the very few remaining Victorian station buffet bars.
Dating from 1885 the Stalybridge Buffet Bar has retained the original marble-topped bar, back fittings and the welcoming fire.
A dozen years ago it was extended and included the 1st class ladies waiting room with its ornate ceiling, keeping all original features. It's a veritable museum with photographs of the station in it's heyday, railway and other memorabilia. See http://www.stalybridgebuffetbar.co.uk/ to read more about the Buffet Bar.
Stalybridge, Tameside,Manchester,England,UK
Description
Keywords: Victorian,tech,technology,England,English,first Floor,second floor,Ground Floor,CW Exports,Buffet Bar,Tameside,Manchester,England,UK,GoTonySmith,Buy Pictures of,Buy Images Of,RF Penberton Ltd,Muschamp Taylor Ltd,Whitehead Brothers,County Garages,J Weinberg & Co Ltd,Barron Walton Ltd,S Brooks,RH Lees Ltd,AJ Buss,AE Moore,communication,call,calls,contact,contacts,Ground,floor,first,second,third,fourth,bell box
Description: Tony Smith image Alamy EY5KE9 - . Internal company telephone call system panel at Stalybridge Station Buffet Bar, Tameside, Manchester, England, UK. Photographed at Stalybridge, Manchester, England, UK. The photograph was taken on 18 July 2015. This editorial stock image documents the subject as it appeared at that time, preserving a clear record of the place, its appearance and the everyday details surrounding it. The scene is closely associated with Internal, company, telephone, call, system, panel, Stalybridge, railway, Station and Victorian, adding specific subject detail and useful search context without losing the documentary focus on the main subject. The image is relevant to digital technology, smartphones, software, online services and the way screens and apps increasingly mediate everyday activity. It can support editorial coverage of mobile applications, consumer technology, digital services, user interfaces, online communication, artificial intelligence, software platforms, data and the changing relationship between people and connected devices. Visible screen text, icons, branding, controls and handset details can give picture buyers a recognisable real-world technology context. As a dated photograph, it is particularly useful for documenting a specific version of an interface, product or digital service before later updates alter its appearance or functionality. Search themes include smartphones, apps, software, digital services, screen interfaces, online platforms, consumer electronics, artificial intelligence and changing technology. A dated screen or device photograph is useful because software interfaces, branding and product designs can alter rapidly through updates and replacement. The combination of a named subject, precise location and capture date gives the image particular value to editors who need a real, identifiable place rather than a generic illustrative photograph. The view is firmly rooted in a real location rather than a constructed studio setting.
Stalybridge, Manchester, England, UK
Description
Keywords: Tuesday,Purple,Rinse,Day,Hair,salon,hairdresser,UK,B/W,black,white,mono,monochrome,dressing,dresser,stylists,style,old,oap,oldskool,skool,oldstyle,denton,manchester,gee,cross,hyde,tameside,england,north,west,britain,hotpix!
Description: Tony Smith image Flickr 3812466997 - 'Traditionally, tuesday is OAP / senior citizens half price day down at Hairport. Taking a bit of colour too (maybe purple, why not), can be worth doing too.
Do you remember this? www.flickr.com/photos/hotpixuk/4391219040/
Have a look at some of my other black &
white images on Flickr -
w=33062170@N08\'>www.flickr.com/search/?q=mono&
w=33062170@N08 .
Keep in touch, add me as a contact
www.flickr.com/relationship.gne?id=33062170@N08
(c) Hotpix / HotpixUK Tony Smith - Hotpix.freeserve.co.uk WDCC 07092182899 ',
Description
Keywords: GoTonySmith,HotpixUK,@HotpixUK,Derbys,HighPeak,SK13,High Peak,trust,Glossop,Derbyshire,England,UK,SK13 8AY,tamesideandglossopicft,Tameside,hospital,British,town,centre,Pioneer Health Care,Limited,Ltd,Diagnostic,screening,procedures,surgical,Treatment,of,disease,disorder,or,injury,medical,health,healthcare,provisions,Glossopdale,outpatient,services,clinic
Description: Tony Smith image Alamy 2K1Y80R - Exterior of Glossop Primary Care Centre on George Street, Glossop, High Peak, Derbyshire, England, photographed in bright summer sunshine beneath a blue sky, with mature trees partly shading the modern brick and glass NHS building and its Tameside and Glossop signage. The community healthcare facility provides a local NHS presence in the town and is listed by Tameside and Glossop Integrated Care NHS Foundation Trust at George Street, Glossop, SK13 8AY, around 0.3 miles from Glossop railway station. The centre forms part of the network of community services serving Glossop and the wider High Peak area, providing an accessible setting for primary, outpatient and community healthcare closer to patients' homes. The image also records a period of significant organisational change in the local NHS. From 1 April 2026, Tameside and Glossop Integrated Care NHS Foundation Trust and Stockport NHS Foundation Trust aligned governance arrangements through a Joint Board, while remaining legally separate foundation trusts, as they develop a joint organisational strategy intended to improve healthcare services across their communities. The Trust has also highlighted increased use of digital technology and artificial intelligence. In June 2026 it reported deployment of an AI model designed to identify patients at higher risk of returning to A&E within a month, allowing multidisciplinary teams to consider earlier community-based intervention and potentially reduce avoidable emergency department attendance. Other current developments include digital appointment letters, expanded use of the NHS App and joint working with Stockport. This exterior view therefore illustrates both a neighbourhood NHS healthcare facility in Glossop and the wider shift towards integrated, community-based and digitally supported care across Tameside, Glossop and neighbouring Stockport.
George St, Glossop, High Peak, Derbyshire, England, UK, SK13 8AY
